Artifact

Night Thirteen suddenly understood something.

Could it be that the white-haired native monk beside Jian Xiu Ji Xuan is Lu Sheng Zhenjun who has Chonghua pupils?

!

So the reason for the whole thing is: Ji Xun got acquainted with the indigenous Lu Sheng in the process of entering the Casting Mountain to find a teacher, in order to fight against the three-headed and three-armed monster, Lu Sheng left the Melting Mountain to go to the outside world to find treasures that could restrain the other party, which also had the "Broken Sleeve Habit" and even "Wang Mang's usurpation of power" in the late Western Han Dynasty!

So after that, he followed the Green Forest Army to break into Chang'an City and kill Wang Mang's merchant Du Wu, as well as the Taoist priest Ximen Junhui who instigated Wang Mang's old cousin Wang Shi to rebel, and the person who finally got Chonghua Pupil was Lu Sheng!

Of course, "Lu Sheng" is just a name guessed by Ye Thirteen and others, and it is very likely that the real name of the white-haired indigenous monk is not Lu Sheng at all.

After Ye Thirteen reasoned and came to this conclusion, a bigger question immediately appeared, that is, if Lu Sheng had such a good relationship with Ji Xuan, why did Lu Sheng still seize Ji Xuan's golden pill?

He couldn't wait to look at the seventh picture.

I saw Ji Xuan, who had almost lost his human form, kneeling on the ground, with his back to the reader, and in front of him were two huge phantoms.

The phantoms were one on the left and one on the right, one was huge and clad in armor, and the other was large and small, sitting cross-legged, the two phantoms did not look very powerful, but there was a mysterious and unpredictable aura lingering all over their bodies.

Thirteen didn't understand it this night, and he had to completely stop, concentrate his energy, and devote all his attention to this painting.

Because from the reading just now, Night Thirteen has gained an insight that the picture on the wall of this prophecy is not an ordinary painting of ordinary people, but a spiritual projection that can read detailed information through mind and concentration!

Sure enough, Night Thirteen found the clue.

Although the two phantoms kneeling in Ji Xuan's knees were only roughly in size, and they were hidden in the darkness and could not be seen clearly, they all made a gesture in unison.

The

huge phantom stretched out its hand and pointed downward, and the phantom with a large head and a small body pointed upwards.

This is obviously pointing out the way out of Ji Xuan, and it is even more obvious that Ji Xuan did not listen to the words of the phantom with a big head and a small body - the reason is very simple, the seventh painting is the first picture on the right top, the two phantoms are pointing down and the other is up, and only when you go down can you see the eighth picture!

The eighth picture begins to return to the topic, which is exactly the "prophecy" that Panmu said before!

"Prophecy" depicts a picture of the fall of people and animals in the sinking mountains, which, as the name suggests, depicts the whole picture from the top of the twin peaks of the sinking mountains to the bottom of the Moon Bow Plain from an extremely deep and wide angle.

Standing on top of the highest peak is the suspended sword cultivator Ji Xuan, surrounded by more than a dozen well-dressed and plainly dressed low-level monks, and then down are the people who kneel on the ground, and then there are still countless kneeling people, but the figures of these people are gradually strange, as if they are slowly elongating, right...... It's like being indigenous today!

These long-handed, long-legged, long-bodied natives were still only kneeling halfway up the mountainside, and among the people who knelt down later, groups of aborigines slowly shortened their stretched hands and feet, and their bodies also changed, until they evolved to the point where there were no more kneeling people on the Moon Bow Plain, and all of them became tetrapodal deformed animals.

It is worth noting that the relationship between light and shade in this painting is completely reversed from the previous seven pictures, which is in line with what Panmu said earlier: "The sky hangs upside down, and people are like livestock"!

In addition to these eight words, there is still a mystery hidden in the picture, that is, the sword cultivator Ji Xuan who is bowed down by 10,000 people at the top of the single peak.

Looking at his lying and levitating posture, he should have died, and there were a few faint rays of light around the body, just covering his whole body.

From the point of view of Night Thirteen, these rays of light just form a cube, as if it were a transparent crystal coffin, and the corpse was packed in, but the strange thing was that Ji Xun lying in the coffin acted very strangely.

Why is it strange that the thirteenth night of the law can't be said, although Ji Yun is lying flat, but his hands are crossed on his chest, as if he is holding something firmly.

Although Night Thirteen was focused enough, he still couldn't see what Ji Xuan was holding - that thing was not only in his arms, but should have been hidden in his underwear.

Night Thirteen exhausted his energy, but he only saw a faint glow oozing from the collar on Ji Xuan's chest.

Could it be that Ji Xun also "took away" a treasure after his death?

Night Thirteen couldn't guess, so he had to look at the last painting depressedly.

Ninth figure.

It depicts a dead indigenous teenager whose half of his soul is out of his body and is in a strange scene, while the other half of his soul clings to his corpse and gnaws at it.

The picture is divided into two parts, the upper part is the out-of-body juvenile half-body turned into an infinite giant, stepping on the sunken mountain moon bow plain, holding the heavy peak in one hand, grasping the single peak in the other hand, the hands are shining with gold, and the brilliance is magnificent!

The second half of the picture becomes bizarre and bizarre, as the other half, eager to return to the body, not only gnaws at its own corpse, but even opens its mouth to create a whirlwind, sucking the natives and the natives who have turned into livestock into their mouths.

What's even more terrifying is that the eyes of this half of the soul are still staring at the half of the soul that has become a giant, and even shoots out a black light that pierces the opponent's chest.

Because the content is so strange, Night Thirteen gives up understanding and turns to find evidence of what Panmu said, "Having three eyes is an annihilation immortal".

Of course, the evidence is obvious, but Night Thirteen ignored it.

It was the corpse of the boy lying on the ground, and it was the three-eyed !!

Night Thirteen was shocked when he found this, and he suddenly realized that this last painting might not be about the native boy who came back to life at all, but ...... It's more like talking about yourself!

In particular, such a dichotomy of light and darkness clearly points to a person who is struggling between becoming a god and becoming a demon - either becoming a god who sets foot in the sunken mountain, or becoming a man-eating demon!

Could it be that this three-pupiled corpse refers to the annihilation of immortals? That is, the "Schrödinger existence" that can "annihilate" everything and can become an "immortal"?

But...... The question is that if these nine pictures are all from the hand of Jian Xiu Ji Xuan, then why did he do it?

This seems to be both a story and a prophecy, is there any need for Ji Xun to leave these traces?

Or is there still a secret behind Ji Xuan's depiction of the nine pictures, he just said what he knew or what he wanted to say?

Night Thirteen couldn't understand it, but he had a feeling that he couldn't escape the manipulation of the Heavenly Dao.

This feeling is very bad, quite bad!

Night Thirteen's journey has gone all the way, and he has regarded the Heavenly Dao as the source of all the evil, and now the result obtained by expending a lot of effort seems to have been fooled by the Heavenly Dao.

It seems that in all the cause and effect and logic, Night Thirteen will never be able to escape the shackles of the Heavenly Dao, and even in a certain insignificant detail in the nine paintings on the wall of the Heavenly Dao, there is a shadow of the Heavenly Dao.

This is a provocation by the way of heaven, a merciless mockery!

This also made Night Thirteen furious.