Recast youth

Chapter 2095 Zhongshan Travel Map

In the east wing of the courtyard.

Kong Jingke was replying to Ye Feng's news while coaxing Xiao Pianhong to sleep. Kong Jingke usually gave people a cold and distant temperament, but the casual linen home clothes made her feel cold. Her temperament became much softer, and her impeccably exquisite fairy face immediately gave her a hint of fireworks.

On the bed, little Pianhong saw that her mother was not telling her a story. She was peeking at the extremely beautiful mother in front of her with her big black eyes. Her smart eyes were indescribably cute, and her face was like a porcelain doll. .

"Be good, go to bed quickly."

Kong Jingke saw little Pianhong peeking at him with her eyes open, so he gently touched little Pianhong's face and asked her to go to bed early. He didn't know if little Pianhong was the only one brought by Kong Jingke, so she seemed particularly well-behaved. After Kong Jingke finished speaking, she hummed sweetly and closed her eyes.

But Kong Jingke was a little hesitant when he looked at Xiao Pianhong.

It's already 10:30 pm.

But Ye Feng now wants to go there by himself.

In normal times, Kong Jingke, who had relatively regular living habits, rarely went out at this point, especially after having little Pianhong, but Kong Jingke couldn't bear not to go.

The image of Ye Feng in the private room appeared in his mind involuntarily.

In a luxurious private room.

Eight or nine people were sitting there, and each of them had a young and beautiful beauty drinking with them. Only Ye Feng was sitting there alone, and his friend even provoked him: Look, I knew your name was Don’t come to Kong Jingke.

don't want to go.

But Kong Jingke didn't want Ye Feng to be laughed at, let alone appear lonely.

Kong Jingke knew that the feeling of loneliness was uncomfortable. In the past, in Dongzhou, she would feel lonely every time she dragged her exhausted body back home and sat on the bed alone in the early morning.

A kind of loneliness that has no one to sue and can only hide loneliness and depression in the heart.

Of course, deep down in his heart, Kong Jingke also secretly wanted to go, not only because he was afraid that Ye Feng would be laughed at, but also because Kong Jingke knew that places like the club were chaotic and had many women.

Ye Feng is so rich and good-looking. Those women will try their best to seduce him when they see him, right?

Although Kong Jingke didn't like money, she had seen many times of women seducing men for money regardless of their shame, which made her understand that some women would do anything for money.

still have to go.

Kong Jingke thought for a while and made a decision, then he leaned down and looked at little Pianhong, his favorite daughter, with tenderness: "Pianhong, can you sleep with grandpa tonight?"

"What about mom?"

Hearing this, little Pianhong opened his big curious eyes: "Does mom sleep with grandpa too?"

Kong Jingke listened to Xiao Pianhong's childlike words and couldn't help but shook his head in a funny way and said, "Mom won't sleep with grandpa. Mom has to go out to do something."

Little Pianhong asked pitifully: "Can't we not go?"

The most disgusting thing for Kong Jingke was the appearance of little Pianhong. His heart almost melted, so he said, "Don't you want your mother to go? Then how about you not go with me?"

Little Pianhong tilted her cute little head and thought for a moment: "Forget it, you'd better go."

"Why? Don't you want mom to go?"

"But I don't want to delay my mother's work."

Little Pianhong's cute face showed a serious look. When Kong Jingke was rehearsing and recording shows, he would sometimes go out at night. Little Pianhong thought that Kong Jingke went out tonight for work.

"Well, Pianhong is so good."

Kong Jingke saw that Xiao Pianhong was so considerate, and held her in his arms tenderly. His eyebrows were as curved as crescent moons, and he felt happy and sad at the same time. For a moment, there was an indescribable emotion stuck in his throat.

She was happy that little Pianhong was sensible.

I also feel sad for Xiao Pianhong’s sensibleness.

As a mother, Kong Jingke likes that little Pianhong can be a little more innocent and romantic, and sometimes a little willful, instead of being as sensible as she is now. Being sensible, she always makes people feel distressed.

"Mom, what's wrong with you? Are you crying?" Although little Pianhong was very young, he had a delicate mind. He saw a trace of wetness in Kong Jingke's eyes, and couldn't help but feel distressed as he stretched out his little hand to touch the corners of Kong Jingke's eyes.

"Mom is fine, she is just happy." Kong Jingke comforted little Pianhong.

Little Pianhong asked in confusion: "Shouldn't you laugh when you are happy? You should cry when you are sad. For example, when grandpa hits me, I will cry, and when he doesn't hit me, I will laugh."

"Grandpa hit you?"

Kong Pianhong couldn't help laughing when he saw little Pianhong's expression at this time. Although little Pianhong is sensible now, sometimes he still inevitably reveals his naughty nature.

"Yeah, hit me."

Little Pianhong nodded her little head fiercely and complained in anger: "He also said that beating means kissing and scolding, which means love. If my mother loves me, she won't hit me."

"I'll hit you too."

Kong Jingke amusedly touched the knife.

"I've forgotten it all."

Little Pianhong tilted her head, completely unwilling to recall this matter.

……

Inside the study.

Kong Zhong is famous in the eyes of people like Ma Weidu in the industry for his large collection, among which calligraphy and painting account for a large part. Under the influence of his ears and eyes, coupled with Kong Zhong's character, the calligraphy he wrote has long been the masterpiece of everyone. Several copybooks that were circulated during the year were also collected.

Of course, what many famous collectors want to collect are Kong Zhong's ink paintings.

In terms of painting attainments, Kong Zhong can be regarded as a great master in the world. In his early years, he was a close friend of Guan Shanyue, a master of traditional Chinese painting. It is said that Guan Shanyue is one of the people who can enter Kong Zhong's underground collection.

There was also a lot of communication between the two.

Unfortunately, after Guan Shanyue passed away in July 2000, Kong Zhong rarely painted.

After seven years, Kong Zhong painted again.

Spread out the drawing paper.

Kong Zhong holds the pen, and the strokes of his fingertips bloom slowly on the drawing paper. Immediately, he turns the tip of the pen and uses the pen extensively. He does not paint the background and does not have enough color. He only uses ink and ink to paint, and his style is simple and unique.

Before long, a picture of a trip was sketched out.

However, the picture is rough and ferocious.

It is a picture of Zhong Kui's travels. The picture is lifelike. The ghost soldiers have strange shapes and are unevenly slender. They are walking forward and backward, carrying pots on the shoulders of sedan chairs, picking up luggage, and carrying packages. Zhong Kui's eyes and beard are rounded, and he looks back at his sister. Showing infinite love and compassion.The little girl is sitting in the middle of the carriage, and she and the maid are applying ink on their faces and necks instead of powder, which is so interesting that it makes people laugh...

After finishing the painting, Kong Zhong put down the brush and picked up the brush to start inscribing.

"People say that the ink ghost is a dramatist, but that's not the case... Is there anyone who is not good at true calligraphy and can make a fool of himself?"

As soon as he finished the inscription, Kong Zhong suddenly changed his writing style. The change was so ingenious that there was no awkwardness at all. He started to fill in the words in one go: Fengdu Mountain is dark and rainy in autumn, ghosts gather together to cry and chirp in the cold, Lao Kui's hair is full of ancient hair, and he hears it. The ghost's voice makes saliva flow...

Then the style of writing changed again, it was: I can laugh at Gong Hou playing ghosts and gods, the rich and elegant write so naive, I am poor and dare not read the picture, for fear of teasing others to laugh at...

……

……

After that, Kong Zhong had already used several distinct brushwork methods to write words and poems. Each brushwork represents the style of a calligraphy, painting, and poetry master.

There were Gong Kai, Song Wu, Li Ming... and several others.

When Kong Zhong put down the pen, regardless of the seal, a "Zhongshan Travel Picture" that could be faked and authentic appeared on the paper. The "original" "Zhongshan Travel Picture" was created by the Yuan Dynasty painter Gong Kai. Ink painting, now collected in the Freer Museum of Art, USA.

At this time, Kong Jingke walked in from outside holding little Pianhong in his arms.

(End of this chapter)