The perfect rich man in the city

Soon, Zhong Jing wrote twenty more words, all requested by some of his friends.

Zhong Jing doesn't like to favor one over the other, after all, the relationship between them is very good.

Therefore, I can only bite the bullet and write it as a daily practice.

Fortunately, Zhong Jing is in good physical condition, otherwise with this workload, he would have gone on strike long ago.

Just when Zhong Jing put the seal down, the system beep sounded again.

"Ding dong, congratulations to the host for completing the hidden task of the sub-profession - thirty pieces of calligraphy and painting, and received the reward - random calligraphy."

""Sure enough," Zhong Jing couldn't help but smile.

He guessed it right.

After spending such a long time with the system, he knew almost everything about the system.

For some rewards, he could almost guess them.

Although there were differences, they were almost the same. too much

""Ding dong, congratulations to the host for getting calligraphy - Chu Suiliang's regular script." This time's reward is not as famous as the previous one, but it is Chu Suiliang's regular script. In terms of fame, the thin gold style and Chu Suiliang's regular script are obviously more awesome.

But Chu Suiliang should not be underestimated. He is definitely an awesome figure.

Because he is not only a calligrapher, but also an important minister.

Chu Suiliang is a famous minister and calligrapher in the Tang Dynasty.

Chu Suiliang is erudite and proficient in literature and history.. At the end of the Sui Dynasty, he followed Xue Ju and served as an official. After returning to the Tang Dynasty, he successively served as the admonishing official, Huangmen Shilang, and Zhongshu Ling, and was in charge of the power of the government.

In the 23rd year of Zhenguan, he and Changsun Wu Taizong assisted in the government. He was promoted to Shangshu Youpushe and granted the title of Duke of Henan Province. He later became the governor of Tongzhou. He was recalled in the third year of Yonghui and served as Minister of the Ministry of Personnel and History. He was promoted to Shangshu Youpushe and was aware of political affairs. Because he firmly opposed the establishment of Wu Zetian as the queen, he was He was demoted to the governor of Tanzhou. After Empress Wu came to power, he moved to Guangxi and was demoted to the governor of Aizhou. He died in office. After six years of Tianbao, he was worthy of enjoying the temple court of Gaozong.."Wenzhong"

Chu Suiliang worked in calligraphy. He first studied Yu Shinan, and later learned from King Xizhi of France. Together with Ouyang Xun, Yu Shinan and Xue Ji, they were known as the"Four Masters of the Early Tang Dynasty". The handed down ink writings include"Meng Fa's"Yanta Sacred Preface" and so on.

Chu Suiliang is good at it. He has many kinds of calligraphy, the most famous of which is regular script.

His main representative works in regular script include"Yique Buddhist Niche Stele"》、《Monument of Master Meng》、《Fang Xuanling Monument》、《Preface to the Holy Religion of the Wild Goose Pagoda.

Chu Suiliang studied a variety of calligraphy and used it comprehensively. It is said in history that he first learned calligraphy from Ouyang Xun and Shi Ling, and then from his uncle Yu Shinan. In the end, he became the"two kings" (Wang Xizhi and Wang Xianzhi). He also integrated Han Li and created one by himself, so he was called Known as one of the"Four Great Regular Calligraphers of the Early Tang Dynasty","Ou, Yu, Chu and Xue",

Chu Suiliang is also known as"Chu Style". Chu Suiliang's regular script works appeared in two different styles. The early"Yique Buddhist Shrine Stele" and The calligraphy style of"Master Meng's Monument" is roughly the same. They all use square pens, and the strokes such as hooks and strokes are straight out without returning to the front. The strokes of calligraphy and painting are not obvious, which maintains the calligraphy characteristics of Ou and Yu.

In terms of style, it draws on the broad and elegant structural characteristics of Yu Shinan's regular script and the sharp and vigorous writing characteristics of Ouyang Xun's regular script. At the same time, their elongated glyphs were compressed. Chu Suiliang's early works not only retained the influence of Beibei, but also incorporated a large number of official script styles in the writing and composition. However, they were not copied mechanically, but selectively absorbed innovations and adapted them to his own use.

《"Fang Xuanling Stele" and"Yanta Sacred Preface" are his late works. One is neat and orderly, the other is ethereal and flying. The writing style has changed from a straight two-point pen that is based on bones to one that is based on tendons. The first and second strokes are used together, the strokes are undulating and ups and downs, and the curved strokes are used together, showing a strong sense of rhythm. As soon as Chu Shu's new standards came out, people all over the world imitated them and it became a fashion. Until the heyday of the Wu Zhou Dynasty, although Chu Suiliang had passed away and was deprived of his official title, his reputation in calligraphy remained undiminished, and he was praised by future generations for his forthright and bright character and charming and elegant calligraphy. Chu Suiliang's status as the"general enlightenment master" of the Tang Dynasty is also recognized by more and more people.

Among the calligraphers of the early Tang Dynasty, Ouyang Xun and Chu Suiliang were the most innovative. Chu Suiliang was the most able to keep pace with the times. The calligraphy of Ou and Yu retained more of the calligraphy style of the Sui Dynasty. Chu Suiliang's calligraphy could draw on the strengths of other calligraphers. , not much inhibited by his predecessors, his characters feel balanced in flesh and bone, strong and soft, clear, elegant, handsome, strength and beauty, bone and rhyme are integrated,"really opening the door of 'Tang Kai'" , can be called the bridge between regular script in the Sui and Tang Dynasties," and ultimately promoted the formation of the Shangfa calligraphy style in the Tang Dynasty.

It provides a reference for the continuation and innovation of calligraphy in the Tang Dynasty and even later generations.

Chu Suiliang's regular script may not be as famous as the thin gold style, at least in the eyes of laymen.

Because many people who don’t study calligraphy know Shoujin style, but they don’t know Chu style.

It may be related to the promotion of film and television works, but the popularity of Shoujin Ti is indeed wider than that of Chu Ti.

But the status and role of Chu Ti are no worse than Shou Jin Ti.

Even Zhao Ji, Huizong of the Song Dynasty, had learned calligraphy from the other party.

After Zhong Jing received"Chu Style", he also had a certain understanding of regular script. _Feilu reminds you: three things about reading - collection and recommendation