The perfect rich man in the city

What Chuangshi asked Zhong Jing to see was the request of these rich second generations. Some wanted to write, and some wanted to draw.

There are more requests for words, because this thing is relatively high-end and can be hung in a study or office.

In particular, many of Zhong Jing’s friends are in business and have their own offices.

······

Zhong Jing did not break his promise. He spoke to Ren Ranran and then returned to Zijinshan Villa, where he wrote, ink, paper and inkstone.

Start writing one by one.

There are quite a few people, and it took me a long time to write.

""Ding dong, congratulations to the host for completing the calligrapher's sub-professional task - ten pieces of calligraphy, and a random calligraphy will be rewarded."

When Zhong Jing completed the tenth piece of calligraphy and painting, the system's voice rang.

"Have you done calligraphy and painting in ten strokes?"Zhong Jing couldn't help but murmured to himself, and then received the reward.

""Ding dong, congratulations to the host for extracting the thin gold style of Song Huizong Zhao Ji." Among the many calligraphy, the system extracted the thin gold style of Song Huizong Zhao Ji. The thin gold style is a font created by Song Huizong Zhao Ji, which is the first in the history of calligraphy. A calligraphy style with great individuality. Because it is very different from traditional calligraphy styles such as Jin Kai, Tang Kai and other calligraphy styles, it has a very strong personality. Therefore, it can be called an original creation in the history of calligraphy. Representative works include"Thousand-Character Classics in Regular Script".》、《"Poetry of Hefang" and so on.

The thin gold-style writing is agile and fast, and the handwriting is thin and strong, even thin without losing its flesh. The large characters are especially graceful and graceful. Because the strokes are relatively thin and hard, the brushwork is exposed, and traces of the strokes such as running Tetons can be clearly seen. It is a font with a quite unique style.

Xue Yao of the Tang Dynasty was the ancestor of the Thin Gold Calligraphy. Instead, they used it to develop and create something, which also became a habit and became the last chapter of Chu Shu.

《"Summer Tour to Shi Cong Poems and Preface" is Xue Yao's masterpiece and one of the inscriptions on the cliffs of Shi Cong River. The inscription on the cliff of Shi Cong River was inscribed on March 19, the first year of Jiushi in the Tang Dynasty. It is the largest cliff inscription in Henan Province. It is divided into two parts:"Preface to Shi Cong Poems on Summer Tour" and"Preface to Feast on Stone Cong in Autumn".

The calligrapher of both is Xue Yao, whose calligraphy is thin and vigorous. He is called the"ancestor of thin gold style" by calligraphers of past dynasties. Xue Yao's calligraphy was later studied by Emperor Huizong of the Song Dynasty, and he eventually created the unique"Skinny Gold Calligraphy

". Zhao Ji's"Skinny Gold Calligraphy" is an original creation in the history of calligraphy, as praised by Ming Tao Zongyi's"History of Calligraphy":"Brushwork" Chasing strength and realizing what is natural can't be achieved through traces and traces."

Only for his achievements in this aspect, he can be listed among the calligraphers in history. Song Zhoumi's"Guixin Miscellaneous Collection·Bianliang Miscellaneous" records:"Huizong Dingding stele, thin gold calligraphy. In the old imperial city, when people were digging for earth to build walls, they suddenly saw a dome of stele, with two dragons on it, turtles on their backs and heads held high. It was a very fine workmanship, and it was a thin gold stele."Yuan Liu Guan's"Fan Poem Inscribed on Huizong of the Song Dynasty"》："The shadow of the fan has gone with the shadow of the Luan, leaving Qingwan with the thin golden book."Zhangju of the Qing Dynasty's"Returning to the Fields: General Xiao Li's Picture Scroll"》："Zhou Yixuan of Pucheng had the same fortune, and his family collected old paintings. There is a nine-character"Picture of the Rising Sun on the Sea and Sky by Li Zhaodao of the Tang Dynasty" in Xuanhe's thin gold booklet at the front of the volume, and there is an imperial stamp at the bottom."Zhao Mengfu commented on Song Huizong's thin gold body like this:"The so-called thin gold body has beautiful bones and elegant bones."

""Skinny Gold Book" is consistent with the brushwork method of his meticulous flower-and-bird paintings. The long strokes are as thin as tendons. The lifting, pressing and pressing are added at the beginning and end, and the structure method of Huang Tingjian's central palace is tightly knotted and stretched out on all sides. It is quite thin and powerful. What a wonder. This kind of thin character is suitable for inscriptions on his meticulous paintings, echoing the brush. As an artist with both calligraphy and painting talents, he made an important integration of calligraphy and painting, and created a poetry A new situation of literati calligraphy and painting integrating calligraphy, painting and sealing has influenced later generations and continues to this day.

Emperor Huizong of Song Dynasty and Zhao Ji were unqualified, but it is undeniable that his achievements in calligraphy and painting are difficult for many people Achieved.

Especially his original Thin Gold Body, which is famous throughout the ages.

Even Zhong Jing has to admire the other party in this aspect. After Zhong Jing obtained Zhao Ji's Thin Gold Body, he only felt a series of insights in his mind Soaring inside, wisdom continued to blossom and bear fruit. A new country was formed.

After Zhong Jing got the thin gold body, he immediately tried it impatiently.

Then, Zhong Jing grinded it again, then spread the rice paper on the table, and then held his breath and concentrated

""Pengjing Wanli", Zhong Jing directly wrote four big characters.

It is indeed as mentioned in the introduction. The writing is agile and fast, and the handwriting is thin and strong, even thin but not losing its flesh. The big characters can be especially graceful. Because the strokes are relatively It is thin and hard, so the brushwork is exposed, and you can clearly see the traces of the brush strokes such as running Teton.

Zhong Jing looked at the words on the paper, and his face couldn't help but show a satisfied color.

He liked this kind of font.

Then, Zhong Jing stood aside. He wrote his name in the corner, and then wrote the year, month and day.

Then he stamped it with his own seal.

Zhong Jing had his own seal. He wrote the words himself and then handed them over to a specialized engraver for engraving.

It belongs to him. Unique chapter, of course, the materials are not ordinary._Feilu reminds you: three things about reading - collection and recommendation