The most powerful god in the city

Dong Qichang is one of the most influential calligraphers in the history of Chinese calligraphy, and his calligraphy style and calligraphy theory have had a certain influence on later generations. Hundreds of years after Zhao Mengfu's charming and mature "Song Xue Ti" dominated the book world, Dong Qichang with his beautiful and elegant style, found a unique way, set up his own sect, and also led the coquettish for a while, so that "the piece is single, and people compete for treasures". His position in the history of Chinese art is very important, and his theory of "North and South Sects" for the creation of traditional Chinese literati painting has had a great influence on later generations, and has become the main guiding ideology for the creation of literati painting for nearly 300 years.

Zhou Ye admits that Dong Qichang's calligraphy is great, but this is too awesome.

The shining light directly blinded his dog eyes.

Zhou Ye looked at the work, it was Dong Qichang's calligraphy work - "Spring Outing Post".

Zhou Ye was a little unconvinced, so he used the treasure pupil again and watched it directly.

At this glance, I suddenly saw the Tao.

In this calligraphy, there is even a pair of calligraphy.

And it's not ordinary people's calligraphy.

According to Bao Tong's display, what is hidden in this calligraphy is the calligraphy of Wang Bo, a famous genius of the Tang Dynasty.

And this calligraphy is not simple, it is what made Wang Bo famous through the ages - "Preface to the Pavilion of King Teng".

I believe that there are not many unfamiliar things in the order of King Teng's pavilion.

It's really famous.

For example: Luoxia and lonely birds fly together, and the autumn water grows together in the sky. The fishing boat sings at night, ringing on the shore of the poor Peng Li, the geese are frightened, and the sound is broken in Hengyang.

When I used to go to school, I only knew rote memorization.

Now that I have entered the society, I know how beautiful the other party is.

There is also the heart of being old and strong, and the heart of the white head is poor, and the ambition of not falling into the clouds.

The whole preface, every sentence is so beautiful.

It's no wonder that I was asked to recite the full text in the first place.

"Preface to the Pavilion of King Teng" is a prose written by the Tang Dynasty writer Wang Bo in the second year of the Shangyuan Dynasty.

The article writes about the topography and talents of Hongzhou to the banquet; writes about the magnificence of the Tengwang Pavilion, the far-reaching view, the autumn day, and the scenery is distinct; and then writes from the banquet and entertainment to the life encounter, expressing the sense of life experience; then the writer's encounter and confession is to be inspired by the festival, and finally ends with the poem and self-humility in response to the order. The full text expresses the author's ambition and resentment at the lack of talent. Except for a few imaginary words, the article is dual. The syntax is mostly four-character sentences and six-character sentences, which are neatly aligned, and they are almost used throughout the text, which is more natural and appropriate, and appears elegant and ingenious.

The birth of "Preface to the Pavilion of King Teng" directly established Wang Bo's status.

It has been respected by famous artists throughout the ages.

In terms of content, "Preface to the Pavilion of King Teng" expands the artistic realm of Punwen. In terms of artistic form, "The Preface to the Pavilion of King Teng" accepted the tradition of lyrical Xiaofu of the Six Dynasties, and added a scattered culture to the form of the prose, achieving the unity of content and form.

"Preface to the Pavilion of King Teng" is not only a new change in the six dynasties, but also a precursor to the popularization of the Tang Dynasty.

There are four main theories about the writing time of "The Preface to the Pavilion of King Teng":

"Thirteen" said

"Taiping Guangji" records that Wang Bo "went to Jiangxi in thirteen provinces". "Ancient and Modern Events and Literature Gathering Collection" records: Tang Wang Bo Zi'an, six-year-old can write, words and seals are world-famous. In the thirteenth year, the father-in-waiting eunuch traveled to the left of the river, the boat was a horse, the half-ancient temple of Yumu Mountain, the dangerous fence crossed the water, and the flying pavilion was suspended.

"Fourteen years old" said

Wang Dingbao of the fifth dynasty recorded: "Wang Bo wrote the "Preface to the Pavilion of King Teng", at the age of fourteen. All overseers read the letter of the public. Although Bo is here, and the person who reads the public will belong to his son-in-law, Master Meng, has been constructed. And the guests with pen and paper to give way, things are not gone. The public was furious, brushed his clothes up, and made people write. The first report cloud: 'Nanchang Ancient County, Hongdu New Mansion. The public said: "It's a cliché." He also reported to the clouds: 'The stars are divided into wings, and the ground is connected to Henglu.' The public heard silently. Another cloud: 'The sunset and the lonely bird fly together, and the autumn water is the same color as the sky. The public suddenly rose up and said: This true genius should be immortal!' Then he invited the banquet hall and was very happy. "

"Twenty-two years old" said

At the beginning of the Qing Dynasty, Wu Chucai et al. commented on the "Guwen Guan Zhi" that it was composed in "the second year of Xianheng, and Wang Bo was twenty-two years old. Its note: In the second year of Xianheng, Yan Boyu was rebuilt for Hongzhou Mu. On September 9, the banquet was held in the pavilion. wants to praise his son-in-law Wu Zizhangcai, so that Su is prefaced. When Wang Bo was a provincial father, the second Madang, went to Nanchang for 700 miles. The god of water in the dream said, help the wind and sail. Dadan, then arrived in Nanchang and the banquet, Yan invited the guests, Wang Bo did not resign, left the sorrow very much, the secret order officials, and reported the sentence. To Luoxia's second sentence, he sighed: "This genius is also." Thinking about his day to the guests, the precious words and embroidered sentences, the layers of seeing, the sea is a genius. Jiang Qingyi, a Qing man, also advocated in the "Zi'an Collection Notes" that it was written in Liuhe County, the "provincial father".

"Twenty-nine" said

Xin Wenfang's "Biography of Tang Caizi" in the Yuan Dynasty believes that the "Preface to the Pavilion of King Teng" was after Wang Fuzhi handed over the throne.

Wang Bo went to the provincial relatives and passed through Nanchang: his father's blessing was to move to the left and hand over the order. On the way to the province of Nanchang through the capital of the governor Yan Gong Xin Xiu Teng Wang Gecheng, on September 9, the guests of the conference, will make his son-in-law to make a record, in order to boast of the event. Erection to the confession, handsome know its オ, because please do it. The thing happily manipulated the guest, and it was done in an instant, without adding points, and the audience was shocked. Farewell to the wine koji, handsome gift hundred, that is, raise the sail to the Yan Fang, the boat into the ocean and drowned, at the age of twenty-nine. "

The "twenty-nine" mentioned here is a virtual age.