Honghuang: Rebirth of Caiyunxian, Steady Becoming a Saint

But Caiyun is holding this [Luoxia Jinse Qin]:

It is six feet and three inches long and one foot and two inches wide.

There are four strings on the yue and four pegs for the strings.

The yue is eight inches wide, corresponding to eight sections; the peg is four inches high, corresponding to four seasons.

There are three colors, black, white and gray, corresponding to three talents.

There are pillars under the strings, so there are fifty pillars, which is the number of Dayan.

There are innate patterns on the body of the qin, with exquisite craftsmanship, gorgeous patterns and beautiful appearance.

So it is named "Jin".

There is a golden unicorn, slender and graceful; there is a jade unicorn, rising in the mist and more yellow;

There is a soaring dragon, with wings and a horse; there is a flying dragon, with feathers flying;

There is a colorful phoenix, shining brightly; there is a golden phoenix, flying and galloping into the sky.

Caiyun's mind moved, and she placed the zither on the table, tuned the strings and turned the pegs, and started playing immediately.

Chant, play, hook, pick.

The left hand dragon eye, press Gong, Shang, Jiao, Zheng, Yu.

The right hand phoenix eye, wipe, pick, hook, pick, poke, support, pick, hit.

The sound of the zither is loud and clear, and it is wonderful.

It is really: "The sound is peaceful and the mind is clear, and the sound of the zither in the world is the song of heaven."

The strings of the zither are plucked, and the melody is melodious.

A high note is like the sound of a phoenix, and a low note is like the beauty of a phoenix's cry.

It is really sad and makes people relax their brows, happy and clap their hands, weeping and stop crying, and wise people are crazy.

It is really like the sound of jade beads, the sound of pine waves in the valleys, and the clear and gentle sound. People nowadays feel refreshed, as if they are in the Phoenix Palace of Yaochi.

When Canglong heard it, his emotions were reversed and his heart was intoxicated.

When Xuanwu heard it, his emotions flew and his heart was free, as if he was intoxicated.

After Caiyun became familiar with the brocade zither in her hand, she first played a song "Cloud and Water Zen 313 Heart" that matched her heart.

This song can make people calm, comfortable, and clear.

At this time, when this tune came out, everything was silent.

Clouds and water, invisible and stateless, always drifting, are free things in the world with all kinds of tenderness.

Zen mind refers to a state of mind that is quiet and peaceful, as well as a state of mind that is empty and peaceful, and a state of mind that forgets both the Tao and the self.

After playing this song, the entire chaotic ruins became quiet, with only one sound remaining.

This is the sound of the Tao that Caiyun practices.

The dragon clan likes music, and the ancestor Canglong likes music especially.

After the song, the ancestor Canglong praised: "Things are quiet with the wind, wind is quiet with the clouds, and clouds are quiet with the water."

The great god Xuanwu also praised: "How beautiful! The artistic conception of Zen is all in the clouds and water."

As time passed, the sound of Tao gradually disappeared.

Caiyun played another song "Xiaoxiang Water Cloud".

The Xiao and Xiang rivers are both on this ancient southern continent, and the two rivers have a confluence.

As the piano sounded, the smoke and waves were vast and the water was rippling. The wind and smoke are both still, and the sky and water are the same color.

The ancient rhyme is lingering, and the clouds and water are flowing. The sound of the zither is graceful and the tone is exquisite.

After the song was finished, the old ancestor Canglong praised it again: "The chanting is graceful and melancholy."

The great god Xuanwu also praised it: "How beautiful and quiet it is! The quiet lake surface,"Mount Suoyun is picturesque and peaceful."

After the sound of Taoism faded away, Caiyun played another song "High Mountains and Flowing Water".

The mountains are majestic yet solemn, plain yet elegant.

The flowing water is agile yet reserved, mighty yet peaceful.

This song is the embodiment of Caiyun's fearless and carefree Taoism.

After the song, the ancestor Canglong praised again: "It is as majestic as Mount Tai, and its ambition is to be a mountain!"

The great god Xuanwu also praised: "It is as vast as a river, and its ambition is to be a flowing water! ”

After the sound of Tao faded away, Caiyun played another song, "Questions and Answers between Fisherman and Woodcutter".

The song is profound and emotional, with the majestic mountains and rivers, the tinkling sound of logging, and the gentleness of rowing, all vividly presented on the strings.

The rise and fall of all things is like turning the hand to clouds and turning the hand to rain, only the green mountains and clear waters remain unchanged forever.

This song is the embodiment of Caiyun's Tao heart of enjoying mountains, waters and the world.

After the song, the ancestor Canglong praised again: "Beautiful, the mountains are majestic!"

The great god Xuanwu also praised: "Beautiful, the waters are vast! ”

After the sound of the Dao faded away, Caiyun played another piece of "Pingsha Luoyan".

Image in the piano: The sky is high and the clouds are light, the wind is calm and the sand is flat. The clouds are thousands of miles away, and the sky is flying and singing.

The taste in the piano: Like light smoke, breeze and sunset.

The geese are flying and singing, and they are in the right mood; there is stillness in the noise, and there is leisure in the seclusion.

The whole rhythm rises and falls three times.

When playing for the first time, it is like a wild goose guest, extremely ethereal in the clouds, and the geese fly in harmony, and suddenly It appears and disappears, as if it is coming and going.

When it is about to fall, it looks around and circles in the sky;

When it is about to fall, it makes a sound and flies sideways, circling the island three times;

When it has fallen, it calls and responds to each other, and gathers in groups of three or five. (To read the novel of Baoshuang, go to Feilu Novel Network!)

This song is the embodiment of Caiyun's pursuit of excellence and the heart of Taoism.

After the song was finished, the old ancestor Canglong praised again: "Beautiful, the far-reaching ambition of the swan!"

The great god Xuanwu also praised: "Beautiful, the heart of the hermit! ”

After the sound of Tao faded away, Caiyun played another piece of "Yangchun Baixue".

"Yangchun" means that all things know spring and the gentle breeze is light.

"Baixue" means the sound of snow and bamboo.

A piano piece, with the melody of "beginning, development, transition, and ending", depicts the beautiful scenery of early spring when winter has gone and spring has come, and all things have revived? and the heart of Tao.

This piece of music is the embodiment of Caiyun's heart of Taoism, seeking truth, seeking goodness, and loving beauty.

After playing this piece of music, the ancestor Canglong praised it again: "Fresh and refined, beautiful and pleasant!"

The great god Xuanwu also praised it: "Pure and elegant, bright and fresh! ”

After the sound of the Tao faded away, Caiyun played another song, "Two Cranes Listening to the Spring".

This song changed the quietness of "Yangchun Baixue". Each note was very long, with a sense of emptiness and emptiness of Zen.

The artistic conception of the melody is ethereal and ethereal. The listener seems to be in a quiet mountain spring, listening to the gurgling spring water and watching the white cranes leisurely.

ThisThe song is a reflection of Caiyun's tireless pursuit of the Tao, search for the Tao, seek for the Tao, and enlightenment of the Tao.

After playing this song, the old ancestor Canglong praised again: "Beautiful white crane, happy and playful!" []

The great god Xuanwu also praised: "Beautiful green pine, free and easy in the mountains!"

After the sound of Tao faded away, Caiyun played another song "Yangguan Sandie".

The first fold has a small melody fluctuation, which rises step by step, reflecting the beauty of peace and moderation.

The melody of the chorus is circuitous and descending, which makes the movement ups and downs and emotional.

The second fold expresses the heartfelt feelings of parting, and the tone from weak to strong expresses the feelings calmly.

The main sound starts with overtones, giving the listener a clear and bright feeling.

The third fold has an ups and downs melody and a rhythm.

The ending uses overtones to descend, which will gradually fade away and express the reluctance to leave vividly.

This song is the embodiment of Caiyun's Taoism of making friends, being happy to see friends, and helping friends skillfully.

After playing this song, the old ancestor Canglong praised again: "The piano has an end, but the meaning is infinite!"

The great god Xuanwu also praised: "Love can be reached, but friendship cannot be reached!"

After the Tao sound gradually faded, Caiyun played another song "Three Variations on Plum Blossoms".

This song describes the scene of snow and plum blossoms dancing together, so the rhythm is brisk and neat.

The overtones are like crystal, pure and clear, the skipping notes are crisp, and the rise and fall are like beads.

The three overtones of cold snow plum fragrance meander.

First it is faint and faint, then it is sharp and pungent, and finally the cold fragrance is amazing.

Layer by layer, the white snow and plum blossoms are like a poem and a painting in one song.

The appearance is quiet and elegant, and the bones are ancient and vigorous.

This song is the embodiment of Caiyun's clear mind and pure spirit.

After playing this song, the old ancestor Canglong praised again: "Life is full of joys and sorrows!"

The great god Xuanwu also praised: "Fame and wealth, desire, time flies!"

After the sound of Taoism faded away, Caiyun played another song "Drunk Fisherman Singing at Dusk".

This song is sometimes open and unrestrained, sometimes melodious and undulating, with endless changes, depicting the posture of pulling the oars, leisurely and intoxicated by the mountains and rivers.

The changes in the clarity, high and low, fast and slow, sparse and dense, hard and soft of the music are deeply vivid.

It is really a wonderful sound that never stops, and it still shows the state of drunkenness and clearness.

This song is the embodiment of Caiyun's life of enjoying Taoism, loving Taoism, and being drunk with Taoism.

After talking about this song, the old ancestor Canglong praised again: "The universe is huge in the jar!"

The great god Xuanwu also praised: "The sun and moon are long in the pot!"

All kinds of tunes, some are quiet and far-reaching, ethereal and clear; some are elegant and meaningful; some are broad and peaceful, with clean rhymes.

The listener has a peaceful face.

The player is immersed in the mystery.

After playing for a long time, the music dissipated and the rhyme of Tao faded.

Caiyun opened her eyes and saw the three suns turning the wheel, and all things were shining.

At this moment, her eyes were extremely clear and bright.

Today, after playing several songs in a row, Caiyun realized the truth, and suddenly opened the dust lock, and realized againHer own Dao heart and Dao intention.

At this moment, Caiyun's Dao heart was sublimated.

But the most precious thing is that her Dao was recognized and accepted by the Canglong Patriarch and the Xuanwu God.

It's really rare! .