I'm asked to write a children's drama, but you write about the philosophy of the super bea

When Teacher Ouyang said this, he paused for a moment. The exaggeration he had faced at the beginning of Lin Yun's plot was all true.

When it came to this forced innovation, he also had some thoughts, so he continued:

"Speaking of this innovation, there is actually a big problem in it, and it is also a problem that most new creators tend to make."

"Wang Ze mentioned before that many newcomers innovate for the sake of innovation. This is a phenomenon and it is very common!"

"Generally speaking, it is most suitable for innovation in setting and worldview, because the imagination of a world has thousands of people and different faces, and there is no final conclusion."

"But in terms of stories, although many of the existing routines have been seen too much, at least these routines have been verified by previous people. Perhaps these routines cannot attract old audiences with more experience, but they can at least attract new audiences with less experience. At least they can be safer."

"Therefore, for some new creators, I suggest that they put aside their so-called pride and learn the routine first and write it well. Let’s wait until we have the strength to discuss innovations in the plot."

"Many young people are easy to flatter themselves, thinking that the stories they think of have not been written by others, but they don’t know that they are just rubbish stories that no one can succeed."

"It just so happens that these newcomers are extremely proud and refuse to listen to advice and are unwilling to write routines that they despise. In the end, the things they write are completely different."

"This player Lin Yun does not have the high self-esteem of a young man, and is willing to use the existing mature framework. This thinking is correct and has surpassed many novice creators!"

After saying this, Ouyang Yibing also took a long breath.

What he said was also his own feelings in recent years. As a relatively traditional creator, he has seen countless young people look down on the works of the past and look down on the previous works. Story routines, blindly seeking novelty.

Little do they know that what they call new is actually an old thing that has been written before, but it is just not popular.

It is precisely because of the unfamiliarity with the routine that it is easy to fall into the routine. Because novices don't know which ones are routines and which ones are new.

This Lin Yun is different. He doesn't have the self-esteem of young people and is willing to be down-to-earth. He is already very powerful.

That's why Ouyang Yibing is willing to fight against him here. Lin Yun started with a lot of praise. When the audience outside heard these words, they suddenly realized that Lin Yun was even more powerful than this.

"So that’s it, Teacher Ouyang is indeed a boss, this can be seen from this."

"Indeed, and what he said is very practical. There are many TV dramas that appear now. They promote something special every day. When I go and watch it, it’s just the same routine as before. The screenwriters don’t know what they think."

"Yes, there are many novels written by newcomers who think they are innovative, but in the end they are written in a fog, I don’t know why, and I can’t read them at all."

"Maybe it's like what Teacher Ouyang said, newcomers always have an inexplicable self-confidence. They feel that the things written by the great masters are rubbish, so they have to write something different, and then wait to be thrown into the street."

"So Lin Yun is great. He is so young, but his writing is quite mature. He is not so forced to innovate, and his ideas are not wrong at all."

"This idea is indeed correct. In fact, it doesn't matter whether it is a routine or not. What matters is whether the writing is good or not. Some people write routines, which makes them want to vomit. Some people write routines, but they can write it so well that it makes people want to read it."

"I saw Lin Yun's beginning, although it was a bit cliche, but I really wanted to continue watching. Should be good."

The audience discussed together and agreed very much with Ouyang Yibing's evaluation. They also clearly understood that Lin Yun's thinking was correct and how rare it is to have such correct thinking.

After hearing Ouyang Yibing's words, the other judges naturally I agree.

Although Teacher Xuemei is not a screenwriter but a director, she also knows how to create, so she naturally agrees with these words. Needless to say, Huang Yulang is a personal cartoonist and understands these paths better.

Routines are never a problem, the problem is The writing is good or not.

So after Teacher Ouyang finished speaking, he couldn't help but praise Lin Yun's creation. He said:

"Yes, these words of Teacher Ouyang are very important. Many new people who want to enter the creative field must pay attention to this. If someone can write about fire, then they will naturally have their own principles."

"Besides Lin Yun’s maturity in creative thinking, I think what’s even more amazing about him is his speed."

"I don’t know if the other judges and teachers noticed that after the world view was determined, he just thought for a minute and then wrote the beginning in five minutes."

"If he hadn't prepared this story a long time ago, to be able to write a beginning with no major problems so quickly, he must be a veteran of decades of writing, right?"

"So I think he either has thought about this story before, or he actually has a lot of creative experience, so he can pick it up so easily."

"But looking at the direction of his thinking, I am more inclined to the latter. I am afraid that Lin Yun looks young, and maybe he has written many works secretly, so his skills are so deep!"

"His creative efficiency is probably no worse than that of some of our judges!"

"Right, Teacher Ouyang, Teacher Xuemei?"

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