This age is not very friendly to second-time entrepreneurs, especially those who are strolling in their careers. It is difficult for the vast majority of people to climb out of the bottom of their careers at this age, and the collapse of the middle way is the norm. Those who turned over and returned to the king are rare. In terms of age alone, Ruan Huzi's career in this life is basically blocked.
What made Ruan Hu even more uncomfortable was the reason why he was dealt with - the wrong side. Standing on the opposite side of the imperial court and going against the mainstream, this is a taboo for officials. The official level was crushed to death, not to mention that all the classes in power were offended, and if he committed this article alone, Ruan Huzi's officialdom career came to a big end.
What
saddened Nguyen Huzi the most was that it was Chongzhen himself who was characterized as the supreme ruler of the empire. If Chongzhen's opinion of him does not change, Ruan Huzi will not be able to turn over. Obviously, no one dared to overturn the case for Ruan Huzi here in Chongzhen. Ruan Huzi's identity is the eunuch party, and today's eunuch party is Tuo Xiang, touching the smell and wiping it dirty, speaking for Ruan Huzi is equivalent to being involved with the eunuch party, this is a taboo in politics during the Chongzhen period, no one has an iron relationship with Ruan Huzi who is willing to sacrifice his future for Ruan Huzi.
Ruan Huzi's only hope for turning over is Chongzhen's early death, and this is what really makes Ruan Huzi desperate - Chongzhen is only 19 years old this year, 24 years younger than Ruan Huzi, under normal circumstances, it is obvious that Ruan Huzi died first, as for Zhu Changluo's death at the age of 22 is a special case, Chongzhen Huiying can't be expected to die early, miracles or miracles will not be copied and pasted too quickly.
Ruan Huzi was desperate.
Life has to go on. There is no place to stay here, there is a place to stay here. There is no master everywhere, and the master is self-employed. Ruan Huzi's feudal society is second only to the political arena - the literary world.
If a person wants to make a difference in the literary world, he should have the following conditions. Chongzhen was 19 years old this year. In the event of a natural death, Ruan Huzi was 24 years older than Chongzhen. If it is said that being ousted from power is a disappointment, when encountering such a young leader, Ruan Huzi should despair. This is also another reason why Ruan Huzi entered the literary world.
If you want to make achievements in the literary world, you must meet the following conditions;
One is that he is
emotional, sensitive and sentimental, making a fuss, and can cry when he sees the flowers falling and the moon is missing, looking at the flowers with tears in his eyes, and ecstasy under the moon, not to mention letting him bury the flowers, saying that he is willing to bury the flowers, and some people believe that he is willing to bury the flowers; he can be full of anger when he sees a beautiful song and dance; and even after listening to a hilarious cross talk, they will be angry and shout at the crown to oppose the three customs.
Second, the imagination is rich, seeing the natural phenomena of the great river flowing east and the sunset in the west, winter and spring, and so on, we will think of the disappearance of youth, the impermanence of life, the eternity of the universe, the reverse journey of heaven and earth, and the passing of all things;
The third is the unique perspective, the point of view is strange, the moment is eternal, the ten thousand years are the moment, the ants fight as a national war, the human race for territory is a snail horn for profit, the mountain is the eyebrows, the star is the eye, the water is the eye wave, the beauty is the golden jasper, the spring flowers and the autumn moon, you say that the one-armed hero is a hero, he will think of how the hero cuts his nails and lifts his pants, you say that the long hair reaches the waist, he thinks of to tease, in short, he can find a peculiar perspective of everything, always contradict you, you don't feel annoying, but feel that what he said makes sense.
The third is to have a strong ability to express, to the point, scratch the itch, scold people without dirty words, praise people in the invisible, whatever is true or false, right or wrong, he can also say with a nose and eyes and interesting.
Fourth, it is necessary to have a certain social status. Poverty will limit imagination, don't think that the rich and officials are happy, you can't imagine the happiness of the rich and officials, in your imagination the emperor is rich, can eat sugar packets, in fact, the emperors can not only eat sugar packets, but also have money to the point of taking a straw to insert sugar packets on the sugar. In short, if you don't have status, you can't be open-minded and vision, you can see far if you stand tall, and if you don't have status, you can't see it, you can't even think of it. If a literary work wants to be of a higher grade, the author himself should be of a higher grade. Of course, this is not to say that the official article is good, in fact, the artistry of the "Peace Sutra" is really not high.
Fifth, we must have money. In ancient times, there was no copyright, no remuneration, engaging in literature and art belonged to the line, and it took time to receive fame and fortune, and many people became famous after death, and they were very poor when they were alive. Therefore, playing literature and art are all rich and idlers, and the poor can't afford to play, can't play, and don't have the heart to play, so they only care about earning money and making a living.
Sixth, we must experience abundance. Reality is often more unexpected than imagined, and there are always some strange people and strange things that are beyond the scope of our seriousness and imagination. Those who have rich experience have eaten and seen, even their personal experience and writing documentary literature can also be eye-opening, and the imaginary scenarios of those who have not experienced it are often left over by those who have rich experience.
Seventh, you have to be unlucky. The more moldy, the better, the kind of start in the talent show is more miserable, and the boss of the moldy company is the best. If you want to impress others, you must first impress yourself, moaning without illness can not move people, and saying sorrow for new words will only amuse people, respond to people and disgust people. Anger produces poets, loneliness produces poets, melancholy produces poets, suffering produces poets, in short, a normal person who has not been trampled and beaten in life cannot write any good works.
Eighth, it is best to be psychopathic - at least to have certain psychological defects or distortions, which is a requirement for masters and experts. If people want to pour out a spoonful, they must have their own bucket, and only the works of paranoia and eccentricity can be deep, connotative, passionate, and trend-leading, which is what Lin Yutang said, "People must be stupid, and then they will succeed".
It is not difficult for a person to meet the above one, but it is not easy to meet all of them, and it is even more difficult for a group of people to meet the above conditions at the same time, and the outbreak of literature and art needs such a group of people, so the era of literary and artistic outbreak is often chaotic times and the end of the world.
The middle and late Ming Dynasty just let a group of people meet all the above conditions at the same time: first, after nearly three hundred years of rapid development, the Ming Dynasty finally achieved national rejuvenation, unprecedented national strength, extremely rich material life, too many rich people, especially some people through gray income, scissors and other people gathered private wealth to get rich first. Second, many people have money to burn bags and are bored, and the normal consumption of food, clothing, housing and transportation has been unable to meet the desire to spend money, and began to pursue a higher level of spiritual pursuit and literary enjoyment, which has led to the great development of services, calligraphy and painting, poetry, antiques, beauty columns and other industries, poetry conferences, treasure appreciation conferences, beauty contests, food contests, underwear contests, etc., which are marked by the emergence of Qinhuai Fengyue and quickly reached the peak of mankind. The third is that the Ming Dynasty was prosperous and declining, the wind and clouds were unpredictable, bandits were everywhere, the eunuchs were rampant, the beacons were in flames, the mountains and rivers were broken, life and death could be seen everywhere in life, and the officials were in danger. Therefore, it can be said that the middle and late Ming Dynasty was a fertile ground for the growth of literati
In this fertile hotbed, all kinds of literature have grown wildly, in addition to the traditional poetry and music, all kinds of novels have been born, three of the four famous works are from the Ming Dynasty, plus "Golden Vase Plum", "Romance of the Gods", "Three Words and Two Beats" and other works and their authors, excellent literary and artistic works and authors have entered the blowout era.
This is the beautiful era that Ruan Huzi faced when he was engaged in art, and the era can create heroes. The fly in the ointment is that there were many big people in the literary world at that time, literary and artistic masterpieces were like a tide, the involution was strong, and the competitive pressure was great.
But Ruan Huzi is Ruan Huzi, his beard is full of stories, his three views and morality have not affected his creative level, and he does have two brushes when it comes to literature and art. After being demoted home, Ruan Huzi returned to the ranks of the masses, absorbed folk nutrition, combined with high-level experience, devoted himself to the literary world to create anger, with unbridled imagination and profound literary and artistic skills, in a short period of time to create more than 2,000 poems, more than 10 plays, stood out among many artists, became a well-known playwright, and was well received by all walks of life. Even former political enemies despise Ruan Huzi as a person, but they have to recognize Ruan Huzi's artistic talent.
After several years of hard work, the soft beard finally fought his way out of the literary world, and the limelight once overtook the three great masters at that time, and was selected by the Hongguang Emperor as the leader of the Renaissance; was praised as "contemporary Su Shi" by literati and celebrities, praised as "the first genius in the south of the Yangtze River" by the people, and praised by historians as "a bright star in the history of Chinese opera".
It's gold that shines wherever it is, and it stinks wherever the shit goes, and people like Ruan Huzi are destined to starve to death, and Ruan Huzi successfully overtook in the corner from the back of the text, and was far ahead again.
Speaking of this, we can't help but wonder, Su Shi has a strong sense of existence, a large number of works are popular, and the works of the four masters often show their faces in Chinese textbooks, but what kind of Dongdong is Ruan Huzi, what qualifications do he have to rank with them, and what qualifications do he have to be called the number one genius in Jiangnan? Why have we not heard of him in the history of literature?
The reason for this is very simple: Ruan Hu was hacked, his works were affected by his character, and the defenders were not ashamed of his character, so they connected his works and did not allow his works to be published, which can be said to have thrown the child away with the bathwater.
Ruan Huzi is represented as "Swallow Note". "Swallow Notes" tells the bizarre and bloody story of a family separated by war, experiencing various adventures and finally reuniting, and everyone finds a good home. In the three major scripts of "Swallow Notes", "The Story of the West Chamber" and "Peach Blossom Fan", the swallow, the West Chamber, and the peach blossom can all refer to women, and now the three operas are briefly compared: all three have stories of talented and beautiful women; "Yan" and "West" talk about talented and beautiful women, and "Peach" focuses on the country's mountains and rivers, loyalty, treachery, good and evil; "Yan" and "Peach" have grand scenes, with national turmoil as the background, "West" mainly talks about interesting stories in the boudoir, and there are wars and turmoil but not much; the characters and contents of "Yan" and "West" are purely contemplative, and "Peach" It is a real person, but some of the stories are fictional, and the plot of "Yan" is more twisty and vivid than that of "West" and "Peach". In comparison, the artistry and interest of the three are not significantly superior, but due to Ruan Huzi's character problems, "Yan" has almost disappeared into history.
When it comes to "Swallow Note", one other person must be mentioned - Ruan Lizhen, the daughter of Ruan Huzi. Ruan Lizhen is a legend, it is said that she inherited her father's literary talent, "the talented girl in the south of the Yangtze River", and some people even say that Ruan Lizhen is the real author and first author of "Swallow Note", Ruan Huzi is just a name. Whether this legend is true or not is unfounded, but it conforms to the routine of traditional Chinese scripts: traitors always have a beautiful, kind, well-read, and well-informed daughter, who often bravely fights against her father for a man, or for justice and justice, and finally breaks with her father and cheapens others, which is a classic fate that traitors can never get rid of.
There is also a more sinister arrangement about Ruan Huzi, it is said that there is a couplet hanging in Ruan Huzi's study: childless and light, and an official is full of everything.
This couplet has two meanings. One is about the son, in the evil old society, not having a son is a man's eternal pain, Deng You is such a good person, he didn't recruit anyone and didn't provoke anyone, because his childlessness made people talk about it as a topic for thousands of years, "childless and light" is to expose the scars, where the pain is poked. The second is about being an official, the ancients had a strange cognitive view, on the one hand, they were poor to seek officials, on the other hand, they regarded officialdom as a cesspool, and regarded staying away from officialdom as a sign of noble conduct. This couplet is obviously more fake than Li Lizhen's legend, and it is completely made up by later generations to disgust Ruan Huzi.
However, this is not unreasonable, Ruan Huzi has been practicing "everything is enough to be official", taking it as a life motto and code of conduct, dedicating all his energy and wisdom to the cause of being an official, and not afraid of scolding by unscrupulous means to be an official - this is also the driving force for Ruan Huzi's literary creation.
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