Entertainment: Start with Succubus and play Hollywood

“Knock, knock, knock.”

There was a knock on the door.

Drew and Scarlett woke up in bed almost at the same time.

“Sisters, come down for breakfast.” Biyou’s voice came.

“Coming!” Scarlett responded, then looked at Drew with disgust and said, “Why are you in my bed?”

Drew chuckled and said, “You are destroying the bridge after crossing the river. You were very happy last night.”.

“I didn’t!” Scarlett said angrily.

“Okay, okay, you didn’t. Get up and have dinner.” Drew said in a coaxing tone.

Then, the girl stretched her body, and the thin blanket slipped off, revealing her proud figure.

Scarlett stretched out her hand like lightning and used a move called “claw grabbing hand”.

Drew cried out in pain.

"Okay, look at my dragon drill!"

"Pfft, take my kick."

"I'll give you a finger."

The two girls started fighting again.

At this time, Martin was eating breakfast and reading a newspaper in the restaurant.

"The film combines satire and horror of racists particularly effectively. This low-budget thriller directed by Martin Meyers is a heavy social commentary bomb that shows positive fearlessness, but of course this does not mean it is not thrilling." - (Variety Review)

"The first half of the film is quite suspenseful, but also very depressing. It is not until the final explosion that people's emotions are released, but this violence is very satisfying and the twists are also very pleasing." - (Hollywood Reporter Review)

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"Get Out" is a surprise in both concept and production. The shock never comes when you think it's coming, and the secrets hidden behind it are bolder than you can imagine." - (Voice of Hollywood)

"Get Out" is exactly the ironic horror movie that the audience expects, a clever mixture of Guess Who's Coming to Dinner and The Stepford Wives, but more interesting and inspiring than any of them." - (New York)

Good reviews, good reviews, all good reviews.

Like in the previous life, no media, no commentator, gave a bad review to Get Out.

"Wow, Kevin Thomas has another long review."

"What long review?"

Finally, Scarlett and Drew, who were dressed neatly, also went downstairs.

Scarlett came over curiously, picked up the newspaper, and read it.

"In 1915, David Griffith deliberately vilified blacks and highlighted the KKK in The Birth of a Nation, incorporating the director's narrow-minded racist ideas into it."

"In 2014, Martin Meyers directed Get Out. I think it can be called the black version of Braveheart, which wants to effectively "vindicate black people" and express racist anxiety."

"As a film similar to Magnum Opus,The ending of Get Out is obviously more comfortable than the "mini version" of "The Key". Such an explanation has repeatedly received cheers and applause in theaters, proving that it can release the emotions of the audience. "

"Obviously, Martin won again, and this movie won too."

"This time, let's not talk about "political correctness", but talk about where this movie wins."

"To immerse the audience in the suspenseful atmosphere and let the audience's emotions rise and fall with the movie, all of which require the director to tell a story. And Martin Meyers is obviously a director who is very good at telling stories."

"The interlocking plots and the final reversal have won praise from countless audiences, all thanks to the meticulous logic and control of details in the film. In "Get Out", Martin did a lot of foreshadowing in the early stage to make the plot smooth and not stiff, and reverse the truth. ”

“Many veteran directors often fail to do this, or do it so perfectly.”

“I won’t give specific examples to avoid spoilers.”

“In the process of plot advancement, Director Meyers set a ‘key point’ for almost every character. No matter the protagonist or the supporting role, all characters participate in the ‘guidance’ and ‘temptation’ of the audience. Martin is really good at shooting group portraits. He always allows many characters to tell stories to the audience calmly in the film, with clear priorities and no confusion. This is also reflected in “The Avengers.”

“At the same time, Martin also cleverly used ‘character identification’ to expand the center of the circle of emotional impact. “Get Out” can be said to be a black film, but the ending makes all audiences, including whites and Asians, very happy. Because the director very cleverly infiltrated the story into the social level, from the beginning, let the audience stand in the perspective of the black brother Chris, so as to sympathize with him, stand on the side of justice, and share the ups and downs of his emotions. ”

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“As Director Meyers said in an interview after the premiere: The demon of racial discrimination is surging in some seemingly innocent conversations and situations.”

“As a thriller, the ‘tense and weird atmosphere’ is essential in the process of plot advancement. I used to think that “Don’t Breathe” had achieved the ultimate in this regard, until “Get Out” appeared and I realized that my conclusion was too early.”

“Martin is very good at creating a tense and suspenseful atmosphere, which can be seen from his screenwriting works in his youth. “The Sixth Sense”, “The Island”, and “Hide and Seek” all have this atmosphere to the fullest, making the audience unable to stop. ”

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“Another point is that the actors of “Get Out” also provided great support for the film. Almost all the actors in this film have excellent acting skills, whether it is the male lead Daniel Kaluuya or the female lead St.Carrie Johansson, or supporting actors Betty Gabriel, Catherine Keener, Lil Rel Howery, all contributed excellent performances to the film. Especially the actress Betty Gabriel, who is very impressive.

"Although the cost of "Get Out" is small, it has everything. With unique metaphors, fascinating plots, and extremely thrilling suspenseful atmosphere, it is bound to become a super masterpiece of suspense thriller movies in film history."

"Wow wow wow wow, this is really a powerful compliment." Scarlett put down the newspaper, smiled at Martin and said, "I heard that our movie has zero negative reviews in the mainstream media. ”

Martin nodded, "Yes, heroes are made by the times. In addition to the quality of the film, the current black movement has also played a role. Even if some film critics don't like the film, they dare not risk the world's disapproval and sing against the public. No one wants to be labeled as "politically incorrect." ”

Drew, who was standing by, took a sip of milk and picked up a newspaper to read.

(Brothers, please protect me. Please give me some comments, flowers, collections, and rewards. Thank you.) and.