Entertainment: Start with Succubus and play Hollywood

Chapter 143

On the big screen.

With a smile on his face, Martin gently twisted off the head of his favorite teddy bear. The little girl played by Elizabeth Olsen was so frightened that she cried.

Many people in the movie theater were frightened by Markle played by Martin in the movie.

Even though he had seen this performance method of gradually showing his"abnormality" in front of the audience, Robert De Niro still couldn't help but admire in his heart:

"What a genius interpretation!"

It's like solving a puzzle bit by bit, slowly involving the audience.

This is something that the original Dakota Fanning could not do.

As time goes by, the film slowly comes to a point where Robert De Niro thinks Martin's performance The best part.

Under the dim light, the shadow of the wall was stretched long, extending to the staircase.

The father, played by Robert De Niro, brought the prepared spaghetti and meatballs to the table. He turned around and prepared to ask his son, played by Martin, to come down for dinner.

But when he turned around, he saw his son Markle already standing at the corner of the 05 stairs.

His body was hidden in the shadows, and a pair of blue eyes looked at him.

That This strange expression mixed with the elongated and twisted shadows on the wall had an incomprehensible impact, especially the vigilance, confusion, tension, doubt and other emotions in those blue eyes that fleeted, as if It was as if he could talk.

In just a few seconds, everyone in the theater took a breath.

《Roger Ebert, the film critic of the Chicago Sun-Times, held back his excitement and wrote in his notebook,"After"The Sixth Sense," Martin once again gave an actor-level performance. No, his current acting skills are better than those of"The Sixth Sense." Even stronger when participating in"The Sixth Sense"……"

Martin’s old friend Kevin Thomas, the film critic of the Los Angeles Times, recorded in his notebook:"Every time I see Martin’s performance, I can’t help but be excited. If he can continue on the path of acting, If he continues like this, his future... will be a legend! I am extremely sure!"

If he knew that Martin was preparing to transform into commercial blockbusters, he wonders whether he would be disappointed.

On the big screen, the plot of the movie continued, and the father played by Robert De Niro showed a gentle smile and said:???

"Markle, when did you get down? Come over for supper."

Martin's eyes were fixed on"Father", his body was still hidden in the shadows, and he just nodded slightly as an answer.

Then, the most exciting scene came, I saw his face slowly leaning forward first, and then His neck and chest, then his legs and feet, slowly pulled himself out of the shadows.

His dull face had no expression, as if he didn't care about anything, and there was a haze and obscurity between his eyebrows.

Then the scene on the big screen moved forward quickly, giving a close-up of Martin's eyes. There was deep coldness and gloom in the blue eyes.

"hiss~！"

This performance, which once terrified Robert De Niro at the time, scared the entire audience in the cinema.

The emotions expressed in those eyes seemed to make them see a real devil!

Martin smiled faintly. With this look, he was imitating a real devil. How could he not look like it?

Roger Ebert was also frightened. He could not imagine at all how Martin could borrow or compensate for such a look in his eyes.

You know, many of the events that actors experience during performances are in real life and have never been experienced at all. So how do you express these unexperienced emotions in a real way?

Then you need to use emotional borrowing or emotional compensation.

For example, if an actor is required to express the emotion when a close relative dies, the actor will often substitute the emotion of losing something important - this is emotional reference.

If you have not lost anything important, you can also put yourself into the emotions of someone who has lost a loved one, treat yourself as that person, and construct the emotions you should express step by step - this is emotional compensation.

But Roger Ebert couldn't imagine how Martin could borrow and compensate for this emotion.

The movie continues.

There is no doubting the ability of first-time director John Poulsen.

He filmed the series set up by Martin in the script in an extremely subtle way, one link after another - allowing the audience to follow the father and first doubt the original owner of the house, and then begin to doubt the sheriff. Then he doubted the man of the neighbor's house, and then doubted Martin's invisible friend - in the movie, each suspicion made the father more anxious.

In the theater, every doubt made the audience's curiosity more and more aroused, and their expectations also increased.

And all these foreshadowings are meant to deceive the audience and create a huge psychological twist and the (pleasure) of solving the puzzle when the schizophrenic father shows his fangs at the end of the film.

Even Nicole was attracted by the plot, forgot about the charm, and couldn't help but ask Martin:

"Who is the real murderer? Original homeowner? Sheriff? Neighbor? Or the invisible friend-Charlie?"

Martin said:"We can't say this, it would be meaningless to spoil it."

"cut!"

Nicole rolled her eyes and was immersed in the plot again.

She didn't realize it herself. She was becoming more and more like a little girl in front of Martin, and she was becoming more and more relaxed. (To read the cool novel, go to Feilu Novel Network!)

When the film came to the end, Robert De Niro showed his ferocious second personality, and the audience finally realized that they had been tricked.

As the scenes were quickly rewinded, the plot of his father killing people again and again was presented. In front of the audience, the theater resounded with exclamations one after another.

The final outcome is of course the victory of justice over evil. After all, the emotions that have been gloomy for two hours need to be released, and the audience needs a little sunshine.

Roger Ebert He wrote in his notebook:"Martin's screenwriting skills are becoming more and more mature, and he fools everyone. Although I don’t like the sunny ending at the end, the audience will definitely fall for it. It won over not only us film critics, but also the general public... Although this movie still compromised a little bit on business in the end. , but in no way does it take away from its artistry, which is a masterpiece and deserves a thumbs up."

The movie finally ended, and lines of subtitles rose on the screen.

The lights in the theater came on, and the audience who were accustomed to darkness squinted their eyes, which made the hall quiet for a few seconds.

Then, there was extremely warm applause. It was like thunder.

Finally, everyone in the theater stood up.

They clapped vigorously and shouted the names of the actors in the film.

"Martin, Martin!"

"Robert, Robert!"

"Famke, Famke!"

"Congratulations Martin, you did it again."

Nicole took the opportunity to hug Martin tightly.

"Thanks! Martin smiled professionally, hugged Nicole like a gentleman, and then separated.

Nicole secretly sneered:"This little bastard is pretending to be the same.""